STANZIONE, Massimo

Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,
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STANZIONE, Massimo Beheading of St John the Baptist awr oil


Beheading of St John the Baptist awr
Painting ID::  9153 		Beheading of St John the Baptist awr
c. 1634 Oil on canvas, 184 x 258 cm Museo del Prado, Madrid
   
   
     
STANZIONE, Massimo Cleopatra ar oil


Cleopatra ar
Painting ID::  9154 		Cleopatra ar
1630s Oil on canvas, 169 x 99,5 cm The Hermitage, St. Petersburg
   
   
     
STANZIONE, Massimo Pieta ry oil


Pieta ry
Painting ID::  9155 		Pieta ry
1621-25 Oil on canvas, 130 x 181 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
STANZIONE, Massimo Judith with the Head of Holofernes oil


Judith with the Head of Holofernes
Painting ID::  70748 		Judith with the Head of Holofernes
Medium Oil on canvas Dimensions 199.4 x 146.1 cm
Medium_Oil_on_canvas _ Dimensions_199.4_x_146.1_cm
   
   
     
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     STANZIONE, Massimo
     Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,

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